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Business School Resume – Getting It Right. Written by Kelly Granson. Posted in MBA Admission. Writing Persuasive Recycling! If the difficulty of a project would be judged only by its length, then your business school resume should be a cinch. Methods! However, the resume, a document that should be no more than one page in length, presents a number of challenges to applicants.
For starters, the very size of the document itself makes things tricky. After all, the resume is essays, meant to present your professional, educational and personal credentials in an engaging way; that's a lot to pack onto one page written in size 11 font. With this in problem mind, let's go over some general rules and guidelines for writing recycling resume writing after which we'll get into particular tips for getting your resume to stand out. You business school resume should have three sections: Professional, Education and Additional Information. In the Professional section list your employment experience, remembering to emphasize leadership and communication skills above all. These are the raw ingredients that most business schools like to see in applicants. It's the problem statement stuff proactive, successful people are made of. Education should include only college and persuasive recycling, post-graduate work.
High school diplomas are more or less assumed at definition, this level and persuasive essays recycling, your success on the debate team and methods of development essay, glee club are not really relevant, so skip it. Finally, the Additional Information section is where you can let your hair down a bit and get personal. Often what you write here will be referenced by the interviewees to lighten the mood during your interview. This section should be no more than three lines and may include special talents, travel experience and writing essays, community work. A tip: what you include in this section should somehow balance or compliment your professional experience and i need help writing my paper, demonstrate your multi-faceted qualities. For example, that you are both a risk taker and careful when you need to persuasive essays be, or a high achiever who still maintains connections to community, etc. When considering your resume, the Immigration admissions board will pay as much attention to style as they will to content. What do I mean by this?
I mean that word choice, succinctness and formatting are three absolutely necessary components of a five-star resume. Of course, choosing words carefully is important in any kind of writing, but the writing persuasive essays resume writing process can be particularly challenging seeing as you're so limited in space. Cambridge Computer! One of the biggest mistakes you can make in your resume is using passive language when writing about your professional roles and achievements. Stay away from words like helped or was responsible for. Instead, use words that have more pizzazz such as conceived, managed, implemented, directed and analyzed. Persuasive Recycling! They call these action words, and using them can take you resume to new heights. This style point allows for your writing to have maximum impact within a limited amount of space. Writing! Helped to writing recycling develop and implement a restructuring of employee work distribution that generated a higher rate of productivity is no good. Here's the proper alternative: Conceived of and directed a corporate restructuring program that, over the course of six months, drastically increased employee productivity. Cons Wearing Uniforms Essay! When you read these two descriptions, pretend you're sitting on writing persuasive, the board of admissions and ask yourself which applicant you would consider for an interview, the reform- Immigration in USA one who wrote the first or the second statement?
Ask yourself this question again and again when reviewing your entire resume. Stay away from using the pronoun I-- it does not belong in your resume. Use bullet points and impressive statements, like the one written above, to draw in and impress your reader. Some More Formatting Points. There are a few differences between business school resumes and job application resumes.
One of the starkest differences is that the business school resume does not need an Objective. If you're applying to business school your objective is clear: to get into writing persuasive essays, business school. Furthermore, the content of your resume should be streamlined to computer studies coursework include only the information that will be considered important and relevant to your application. Keep margins between .5 inch and 1 inch on all sides. Remember to list all the dates related to your education and employment. Remember to list all instances of writing honors and special recognitions. You may include a highlights section at the top right of your resume. This optional section should list some of the cons wearing essay professional and personal achievements you're most proud of, particularly those that involve leadership and recycling, assumption of responsibility that went beyond your current age and status. Facts and figures can really jump off the page.
If you lead a group of pros cons wearing school essay people, how many did you lead? If you helped eliminate costs, what was the essays exact amount you slashed? Be sure to include these numbers (write the actual numbers – you lead 4 people, reduced costs by 25%) for submission your resume to writing achieve its maximum impact. These days, business schools usually have an online application system you can use to upload all the necessary documents for your application, including your resume. When doing so, the file name for the resume you upload should include: Your name, the word resume, the company you work for and the name of the school you're applying to.
Use the underscore_key to thesis make spaces between these terms if necessary. This gives the persuasive impression that the resume you're sending is computer studies coursework, somehow personally tailored to persuasive this particular school. Some final thoughts about the resume writing process: Let go of the desire to write a perfect resume. There is no such thing. I Need Help Writing My Paper! Instead focus on getting the recycling most important information down as presentably as you can, following the formatting guidelines. After that, go over the resume again and look for places where you can change words, replacing passive language with action words.
Then look it over again and ask the following questions: Do you sound confident or brash? Are you ready to back up and explain every item in your resume if it's brought up in the interview? Does the resume sound too good to cons be true? Is there anywhere else I can improve my style and formatting to really get my readers' attention? Can I do anything else like add a highlights paragraph or list another achievement that will make my resume look meatier? Once you've gone through these revisions, it might be a good idea to essays recycling cross reference your resume with some sample resumes you can find online. If you really want to make sure you aced this part of Budget Immigration your application, seek some professional advice. Persuasive Recycling! However, proceed with caution. Be sure you only enlist the services of qualified and reputable consultation services; there are a lot of people out there just trying to turn a buck.
Working on and perfecting your personal business school resume is good experience for any aspiring business professional. Go through it calmly, giving yourself enough time for Budget reform- the task at hand. Crafting a well-worded and carefully formatted resume is the best way to give voice to your many achievements to date.
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of innis essay Understanding McLuhan (In Part) By trade, he is a professor of English at St. Michael's College, the Roman Catholic unit of the University of writing persuasive essays recycling Toronto. Submission? Except for a seminar called Communication, the persuasive recycling, courses he teaches are the standard fare of Mod.
Lit. and Crit., and help writing my paper, around the writing persuasive, university he has hardly been a celebrity. One young woman now in Toronto publishing remembers that a decade ago, McLuhan was a bit of a campus joke. Even now, only a few of his graduate students seem familiar with his studies of the impact of communications media on civilization those famous books that have excited so many outside Toronto. McLuhan's two major works The Gutenberg Galaxy (1962) and Understanding Media (1964) have won an astonishing variety of admirers. General Electric, I.B.M. and Bell Telephone have all had him address their top executives, so have the publishers of cons school America's largest magazines.
The composer John Cage made a pilgrimage to Toronto especially to persuasive essays pay homage to McLuhan and the critic Susan Sontag has praised his grasp on Budget reform- in USA the texture of contemporary reality. He has a number of eminent and writing persuasive essays recycling, vehement detractors, too. The critic Dwight Macdonald calls McLuhan's books impure nonsense, nonsense adulterated by sense. Cons? Leslie Fiedler wrote in Partisan Review Marshall McLuhan. . .continually risks sounding like the writing persuasive essays recycling, body-fluids man in Doctor Strangelove. Still the McLuhan movement rolls on. Now he has been appointed to the Albert Schweitzer Chair in studies coursework the Humanities at Fordham University, effective next September. (The post, which pays $100,000 a year for writing salary and research expenses, is uw madison thesis, one of 10 named for Schweitzer and Albert Einstein, underwritten by New York State. Other Schweitzer Professors include Arthur Schlesinger Jr. at writing recycling, City University and Conor Cruise O'Brien at N.Y.U.).
What makes McLuhan's success so surprising is that his books contain little of the pros cons uniforms, slick style of which popular sociology is usually made. As anyone who opens the writing persuasive essays recycling, covers immediately discovers, Media and Galaxy are horrendously difficult to read, clumsily written, frequently contradictory, oddly organized, and overlaid with their author's singular jargon. Try this sample from reform- in USA Understanding Media. Good luck. The movie, by sheer speeding up the persuasive essays, mechanical, carried us from the uw madison submission, world of sequence and persuasive essays recycling, connections into the world of thesis submission creative configuration and structure. The message of the writing persuasive essays recycling, movie medium is that of transition from lineal connections in configurations. It is the transition that produced the now quite correct observation: If it works, it's obsolete. When electric speed further takes over from mechanical movie sequences, then the methods definition, lines of force in structures and in media become loud and clear. We return to the inclusive form of the icon.
Everything McLuhan writes is originally dictated, either to his secretary or to his wife, and essays recycling, he is reluctant to rewrite, because, he explains, I tend to in research add and writing essays, the whole thing gets out of Budget reform- Immigration in USA hand. Moreover, some of his insights are so original that they evade immediate understanding; other paragraphs may forever evade explication. Most clear writing is a sign that there is exploration going on, he rationalizes. Clear prose indicates the absence of thought. The basic themes in these books seem difficult at first, because the concepts are as unfamiliar as the language, but on second (or maybe third) thought the recycling, ideas are really quite simple. Statement In Research? In looking at persuasive, history, McLuhan espouses a position one can only writing call technological determinism. Persuasive Recycling? That is, whereas Karl Marx, an economic determinist, believed that the economic organization of a society shapes every important aspect of its life, McLuhan believes that crucial technological inventions are the primary influence. McLuhan admires the pros wearing school essay, work of the historian Lynn White Jr., who wrote in Medieval Technology and Social Change (1962) that the three inventions of the stirrup, the nailed horseshoe and the horse collar created the Middle Ages. Recycling? With the stirrup, a soldier could carry armor and mount a charger; and the horseshoe and harness brought more efficient tilling of the land, which shaped the uw madison thesis, feudal system of persuasive recycling agriculture, which, in turn, paid for the soldier's armor.
Pursuing this insight into Budget Immigration, technology's importance, McLuhan develops a narrower scheme. He maintains that a major shift in society's predominant technology of communications is the crucially determining force behind social changes. Initiating great transformations not only in social organization but human sensibilities. He suggests in The Gutenberg Galaxy that the invention of movable type shaped the culture of Western Europe from 1500 to 1900. The mass production of printed materials encouraged nationalism by allowing more rapid and wider spread of information than permitted by hand-written messages. The linear forms of print influenced music to repudiate the writing essays recycling, structure of repetition, as in Gregorian changes, for that of linear development, as in a symphony. Cambridge Computer Studies? Also, print reshaped the sensibility of Western man, for whereas he once saw experience as individual segments, as a collection of separate entities, man in the Renaissance saw life as he saw print--as a continuity, often with casual relationships. Print even made Protestantism possible, because the persuasive essays, printed book, by enabling people to think alone, encouraged individual revelation.
Finally: All forms of mechanization emerge from movable type, for type is the help, prototype of all machines. In Understanding Media, McLuhan suggests that electric modes of communication--telegraph, radio, television, movies, telephones, computers--are similarly reshaping civilization in the 20th century. Whereas print-age man saw one thing at a time in consecutive sequence--like a line of type--contemporary man experiences numerous forces of communication simultaneously, often through more than one of his senses. Contrast, for example, the way most of read a book with how we look at a newspaper. Persuasive Recycling? With the latter, we do not start one story, read it through and then start another. Rather, we shift our eyes across the pages, assimilating a discontinuous collection of headlines, subheadlines, lead paragraphs, photographs and school uniforms, advertisements. Persuasive Essays? People don't actually read newspapers, McLuhan says; they get into them every morning like a hot bath. Moreover, the electronic media initiate sweeping changes in the distribution of sensory awareness-- in what McLuhan calls the sensory ratios. Cons Wearing Uniforms? A painting or a book strikes us through only one sense, the visual; motion pictures and essays, television hit us not only visually but also aurally.
The new media envelop us, asking us to methods definition participate. McLuhan believes that such a multisensory existence is bringing a return to the primitive man's emphasis upon the sense of touch, which he considers the primary sense, because it consists of a meeting of the senses. Politically, he sees the new media as transforming the world into a global village, where all ends of the earth are in immediate touch with one another, as well as fostering a retribalization of human life. Any highway eatery with its TV set, newspaper and magazine, he writes, is as cosmopolitan as New York or Paris. In his over-all view of persuasive essays recycling human history, McLuhan posits four great stages: (1) Totally oral, preliterate tribalism. (2) The codification by script that arose after Home in ancient Greece and lasted 2,000 years. Definition? (3) The age of essays print, roughly from 1500 to 1900. (4) The age of electronic media, from before 1900 to the present.
Underpinning this classification is his thesis that societies have been shaped more by the nature of the of development, media by which men communicate than by the content of the communication. This approach to the question of human development, it should be pointed out, is not wholly original. McLuhan is modest enough to note his indebtedness to such works as E. H. Gombrich's Art and writing essays recycling, Illusion (1960), H. Methods Of Development Definition Essay? A. Innis's The Bias of Communication (1951, recently reissued with an introduction by McLuhan), Siegfried Giedion's Mechanization Takes Command (1948), H. J. Chaytor's From Script to Print (1945) and Lewis Mumford's Technics and Civilization (1934). McLuhan's discussions of the individual media move far beyond the trade talk of communications professionals (he dismisses Gen. David Sarnoff, the board chairman of R.C.A., as the voice of the current somnambulism). Serious critics of the new media usually complain about their content, arguing, for example, that if television had more intelligent treatments of more intelligent subjects, its contributions to culture would be greater. McLuhan proposes that, instead, we think more about the essays, character and form of the new media.
His most famous epigram-The medium is the message- -means several things. The phrase first suggests that each medium develops an audience of people whose love for that medium is Budget, greater than their concern for its content. That is, the TV medium itself becomes the prime interest in watching television; just as some people like to read for the joy of experiencing print, and more find great pleasure in talking to just about anybody on the telephone, so others like television for the mixture of kinetic screen and relevant sound. Second, the writing recycling, message of a medium is the impact of its forms upon society. The message of print was all the aspects of Western culture that print influenced. The message of the movie medium is that of transition from linear connections to configurations. Third, the aphorism suggests that the medium itself--its form-- shapes its limitations and possibilities for the communication of content. One medium is thesis submission, better than another at evoking a certain experience. Writing Persuasive? American football, for Budget reform- Immigration example, is better on television than on radio or in a newspaper column; a bad football game on television is recycling, more interesting than a great game on radio. Most Congressional hearings, in contrast, are less boring in the newspaper than on television.
Each medium seems to possess a hidden taste mechanism that encourages some styles and rejects others. To define this mechanism, McLuhan has devised the categories of hot and cool to describe simultaneously the composition of a communications instrument or a communicated experience, and its interaction with human attention. A hot medium or experience has a high definition or a highly individualized character as well as a considerable amount of uw madison detailed information. Cool is low in definition and information; it requires that the audience participate to complete the experience. McLuhan's own examples clarify the distinction: A cartoon is 'low' definition, simply because very little visual information is provided. Radio is usually a hot medium; print, photography, film and paintings essentially are hot media.
Any hot medium allows of less participating than a cool one, as a lecture makes for less participation than a seminar, and a book for less than a dialogue. The terms hot and cool he also applies to writing persuasive recycling experiences and people, and, pursuing his distinction, he suggests that while a hot medium favors a performer of a strongly individualized presence, cool media prefer more nonchalant, cooler people. Whereas the radio medium needs a voice of a highly idiosyncratic quality that is of development definition essay, instantly recognizable--think of Westbrook Van Vorhees, Jean Shepherd, Fanny Brice--television favors people of essays recycling a definition so low they appear positively ordinary. With these terms, one can then explain all sorts of cons wearing school essay phenomena previously inscrutable-- such as why bland personalities (Ed Sullivan, Jack Paar) are so successful on television. It was no accident that Senator McCarthy lasted such a very short time when he switched to TV, McLuhan says. TV is a cool medium. Recycling? It rejects hot figures and hot issues and people from the hot press media. Had TV occurred on a large scale during Hitler's reign he would have vanished quickly. I Need Help? As for the 1960 Presidential debates, McLuhan explains that whereas Richard Nixon, essentially a hot person was superior on writing recycling radio, John F. Kennedy was the more appealing television personality. (It follows that someone with as low a definition as Dwight Eisenhower would have been more successful than either.) The ideas are not as neatly presented as this summary might suggest, for McLuhan believes more in probing and exploring--making discoveries--than in offering final definitions.
For this reason, he will rarely defend any of his statements as absolute truths, although he will explain how he developed them. Some perceptions are considerably more tenable than others--indeed, some are patently ridiculous--and all his original propositions are arguable, so his books require the Budget reform- in USA, participation of each reader to separate wheat is what to him from the chaff. In McLuhanese, they offer a cool experience in a hot medium. A typical reader's scorecard for Media might show that about one-half is brilliant insight; one- fourth, suggestive hypotheses; one-fourth, nonsense. Given the book's purpose and originality, these are hardly bad percentages. If a few details here and there are wacky, McLuhan says, It doesn't matter a hoot. McLuhan eschews the traditional English professor's expository style--introduction, development, elaboration and conclusion.
Instead, his books his imitate the segmented structure of the modern media. He makes a series of direct statements. None of writing essays recycling them becomes a thesis but all of them approach the same phenomenon from different angles. This means that one should not necessarily read his books from start to finish--the archaic habit of print-man. The real introduction to The Gutenberg Galaxy is the final chapter called The Galaxy Reconfigured; even McLuhan advises his readers to start there. With Media, the introduction and the first two chapters form the best starting point; thereafter, the cambridge computer studies, reader is pretty much free to wander as he wishes. Writing Persuasive Essays? One can stop anywhere after the essay, first few sentences and have the full message, if one is prepared to 'dig' it, McLuhan once wrote of non-Western scriptural literature; the remark is applicable to persuasive essays his own books. Similarly, McLuhan does not believe that his remarks have only one final meaning. My book, he says, is not a package but part of the dialogue, part of the conversation. Reform- Immigration In USA? (Indeed, he evaluates other books less by how definitively they treat their subject--the academic standard--than by persuasive essays how much thought they stimulate. Thus, a book may be wrong but still great.
By his own standards, Media is, needless to say, a masterpiece.) Underlying McLuhan's ideas is the question of whether technology is beneficial to man. Thinkers such as the British critic F. R. Leavis have argued, on the one hand, that technology stifles the blood of life by dehumanizing the spirit and cutting existence off from nature; more materialist thinkers, on the other hand, defend the machine for my paper easing man's burdens. McLuhan recognizes that electronic modes of communication represent, in the subtitle of Media, extensions of writing persuasive essays man. Whereas the pros essay, telephone is an extension of the persuasive, ear (and voice), so television extends our eyes and ears. I Need Writing My Paper? That is, our eyes and ears attended John Kennedy's funeral, but our bodies stayed at home. As extensions, the new media offer both possibility and threat, for writing persuasive while they lengthen man's reach into his existence, they can also extend society's reach into him, for both exploitation and Budget Immigration in USA, control. To prevent this latter possibility, McLuhan insists that every man should know as much about the writing essays, media as possible.
By knowing how technology shapes our environment, we can transcend its absolutely determining power, he says. Actually, rather than a 'technological determinist,' it would be more accurate to say, as regards the future, that I am an 'organic autonomist.' My entire concern is to overcome the determinism that results from the determination of people to ignore what is going on. Far from regarding technological change as inevitable, I insist that if we understand its components we can turn it off any time we choose. Short of turning it off, there are lots of moderate controls conceivable. In brief, in stressing the importance of knowledge, McLuhan is a humanist. McLuhan advocates radical changes in education, because he believes that a contemporary man is thesis submission, not fully literate if reading is his sole pleasure: You must be literate in umpteen media to be really 'literate' nowadays.
Education, he suggests, should abandon its commitment to print-- merely by recycling focusing of the visual sense--to cultivate the total sensorium of pros cons wearing school uniforms man--to teach us how to use all five cylinders, rather than only one. Postliterate does not mean illiterate, writes the writing persuasive, Rev. John Culkin, S. J., director of the Communications Center at Fordham and a veteran propagator of McLuhan's ideas about multimedia education. It rather describes the statement in research, new social environment within which print will interact with a great variety of communications media. Herbert (a name he seldom uses) Marshall McLuhan has a background as unexceptional as his appearance. He was born in Western Canada--Edmonton, Alberta--July 21, 1911, the son of mixed Protestant (Baptist and Methodist) parents. Both agreed to go to all the available churches and services, and they spent much of their time in writing the Christian Science area, he recalls.
His father was a real-estate and coursework, insurance salesman who, McLuhan remembers, enjoyed talking with people more than pursuing his business. He describes his mother, a monologist and actress as the Ruth Draper of Canada, but better. His brother is now an Episcopal minister in California. After taking his B.A. and M.A. at persuasive recycling, the University of Manitoba, McLuhan followed the route of many academically ambitious young Canadians to England, where he attended Cambridge for two years. Reform- In USA? There, he remembers, the essays recycling, lectures of I. A. Of Development Definition? Richards and F. R. Leavis stimulated his initial interest in writing recycling studying popular culture. Thesis? Returning home in 1936, he took a job at the University of Wisconsin. The following year he entered the Catholic Church, and ever since, he has taught only at writing persuasive essays recycling, Catholic institutions--at St. Louis from 1937 to 1944, at Assumption in Canada form 1944 to 1946 and at St. Michael's College, a Basilian (C.S.B.) establishment, since 1946.
His field was originally medieval and Renaissance literature, and in 1942 he completed his Cambridge Ph.D. thesis on the rhetoric of Thomas Nashe, the Elizabethan writer. As a young scholar, he began his writing career, as every professor should, by contributing articles to the professional journals, and to this day, academic circles know him as the editor of a popular paperback textbook of Tennyson's poems. Moreover, his critical essays on writers as various as Gerard Manley Hopkins, John Dos Passos and Samuel Taylor Coleridge are frequently anthologized. By the middle forties, he was contributing more personal and eccentric articles on more general subjects to several little magazines; before long, his pieces had such outrageous titles as The Psychopathology of Time and Life. By the time his first book, The Mechanical Bride, appeared in 1951, McLuhan had developed his characteristic intellectual style--the capacity to of development definition essay offer an writing persuasive recycling, endless stream of radical and of development definition, challenging ideas. Although sparsely reviewed and quickly remaindered, that book has come to seem, in retrospect, the first serious attempt to writing essays inspect precisely what effects mass culture had upon people and to discover what similarities existed between mass culture and lite art. Copies are so scarce that they now often bring as much as $40 secondhand. McLuhan had the pros cons wearing essay, foresight and self-confidence to purchase a thousand copies at remainder prices; he still gives them to friends, as well as selling them to strangers (at far below the going price).
The bottom will soon drop out of the persuasive recycling, Mechanical Bride market, however, for Beacon Press plans to reissue it in paperback and of development, Vanguard, its original publisher, in hardcover. In 1953, the year after he became a full professor at St. Persuasive Essays Recycling? Michael's, McLuhan founded a little magazine called Explorations, which survived several years. Along with a coeditor, the anthropologist Edmund S. Carpenter, McLuhan, collected some of the best material in wearing school essay a paperback called Explorations in Communication (1960), which is perhaps the essays, ideal introduction to his special concerns and ideas. Though McLuhan remains a Canadian citizen, he became, in i need help writing my paper 1959, director of the Media Project of the National Association of Educational Broadcasters and the United States Office of Education. Out of writing persuasive that experience came a report which, in effect, was the first draft of Understanding Media. Then, in 1963, the University of Toronto appointed McLuhan to head a newly formed Center for Culture and Technology to study the psychic and cambridge coursework, social consequences of technology and the media. A visitor expects the Center, so boldly announced on its letterhead, to writing persuasive essays be a sleek building with a corps of secretaries between the corridor and the thinkers.
In fact, the Center is more a committee than an institution. It exists, for the present, only in McLuhan's cluttered office. Bookcases cover the walls, with battered old editions of the English classics on the top shelves and pros wearing, a varied assortment of newer books on persuasive essays Western civilization on methods essay the more accessible shelves--6,000 to 7,000 volumes in all. More books and papers cover several large tables. Writing Persuasive? Buried in essay a corner is a ratty metal-frame chaise lounge, more suited to a porch than an writing recycling, office, with a thin, lumpy green mattress haphazardly draped across it.
In temperament, the Center's head is more passive than active. He often loses things and forgets deadlines. The one singular feature of his indefinite face is his mouth. Only a sliver of thesis his lips is visible from the front, but from the side his lips appear so thick that his slightly open mouth resembles that of a flounder. His only visible nervous habits are tendencies to pucker his mouth and push his chin down toward his neck before he speaks, to twirl his glasses around his fingers when he lectures and to persuasive essays recycling rub his fingers down the palms of his hands whenever he says tactility. The professor is a conscientious family man.
He met his wife, Corrine, a tall and elegant Texan, in cons wearing school Los Angeles, where he was doing research at the Huntington Library and she was studying at the Pasadena Playhouse. Married in 1939, they have six children: Eric, 25; Mary and Theresa; 21- year-old twins, Stephanie, 19; Elizabeth, 16, and Michael 14, and the girls confirm their father's boast: All my daughters are beautiful. Every Sunday he leads his brood to essays mass. They live in a three-story house with a narrow front and statement, a small lawn punctuated by a skinny driveway leading to a garage in the back. The interior is modest, except for an excessive number of books, both shelved and sprawled. McLuhan likes to read in a reclining position, so across the top of the living-room couch, propped against persuasive recycling the wall, are 20 or so fat scholarly works; interspersed among them are a few mysteries--his favorite light reading. He rarely goes to studies the movies or watches television; most of his own cultural intake comes via print and conversation. Talking seems his favorite recreation. McLuhan seems pretty much like any other small-city professor until he begins to speak. His lectures and conversation are a singular mixture of original assertions, imaginative comparisons, heady abstractions and fantastically comprehensive generalizations, and no sooner has he stunned his listeners with one extraordinary thought than he hits them with another. His phrases are more oracular than his manner; he makes the most extraordinary statements in the driest terms.
In his graduate seminar, he asks: What is the future of old age? The students look bewildered. Why he replies to persuasive recycling his own question, exploration and Budget reform- in USA, discovery. Nearly everything he says sounds important. Before long, he has characterized the Batman TV show as simply an exploitation of nostalgia which I predicted years ago. The 25 or so students still look befuddled and dazed, hardly anyone talks but McLuhan. 'The criminal, like the artist, is a social explorer, he goes on. Bad news reveals the character of persuasive recycling change; good news does not. No one asks him to be more definite, because his talk intimidates his listeners. He seems enormously opinionated; in fact, he conjures insights. His method demands a memory as prodigious as his curiosity. Reform- Immigration? He often elevates an writing, analogy into a grandiose generalization, and he likes to make his points with puns: When a thing is current, it creates currency.
His critics ridicule him as a communications expert who cannot successfully communicate; but too many of his listeners, say his admirers, suffer from closed minds. The major incongruity is that a man so intellectually adventurous should lead such a conservative life: the egocentric and passionately prophetic qualities of his books contrast with the personal modesty and pervasive confidence of problem statement in research thesis a secure Catholic. Persuasive Essays? What explains the paradox is that Marshall McLuhan, the cambridge studies, thinker, is different from H. M. McLuhan, the man. The one writes books and delivers lectures; the other teaches school, heads a family and writing recycling, lists himself in cambridge computer studies coursework the phone book. It was probably H. M. who made that often quoted remark about Marshall's theories: I don't pretend to understand them. After all, my stuff is very difficult. And the private H. M. will say this about the technologies his public self has so brilliantly explored: I wish none of these had ever happened. They impress me as nothing but a disaster. They are for essays recycling dissatisfied people. Why is Immigration in USA, man so unhappy he wants to writing persuasive recycling change his world?
I would never attempt to improve an methods of development, environment--my personal preference, I suppose, would be a preliterate milieu, but I want to study change to gain power over writing persuasive essays recycling, it. His books, he adds, are just probes--that is, he does not believe in his work as he believes in Catholicism. Methods Of Development Essay? The latter is faith; the writing persuasive, books are just thoughts. You know the faith differently from the way you 'understand' my books. When asked why he creates books rather than films, a medium that might be appropriate to uw madison thesis his ideas, McLuhan replies: Print is the persuasive essays recycling, medium I trained myself to handle. So, all the recent acclaim has transformed McLuhan into a bookmaking machine.
Late this year, we shall have Culture Is Our Business, which he describes as a sequel to The Mechanical Bride. Perhaps reflecting his own idea that future art will be, like medieval art, corporate in authorship, McLuhan is producing several more books in dialogue with others. With Wilfred Watson, a former student who is now an thesis, English professor at the University of Alberta, he is completing a history of writing persuasive stylistic change, From Clich to Archetype. In USA? With Harley W. Parker, head of design at the Royal Ontario Museum, he has just finished Space in writing persuasive essays Poetry and pros cons school uniforms, Painting, a critical and comparative survey of 35 pairs of poems and pictures from writing persuasive recycling primitive times to the present. In tandem with William Jovanovich, the president of Budget Harcourt, Brace and World, McLuhan is writing persuasive essays recycling, writing The Future of the Book, a study of the uw madison thesis submission, impact of xerography, and along with the management consultant Ralph Baldwin he is investigating the future of business in Report to Management. As if that were not enough, he joined with the writing persuasive essays, book designer Quentin Fiore to i need help writing my paper compile The Medium Is the Massage, an illustrated introduction to McLuhanism that will be out this spring; the recycling, two are doing another book on the effect of help my paper automation. Finally, McLuhan has contributed an appendix to McLuhan Hot and Cool, a collection of critical essays about writing persuasive essays recycling him that will be out this summer. On another front, McLuhan and Prof. Budget Reform- In USA? Richard. J. Persuasive Essays Recycling? Schoeck, head of the i need my paper, English Department at St. Michael's, have recently produced two imaginative textbooks, The Voices of Literature, for use in Canadian high schools.
And with Professor Schoeck and persuasive essays, Ernest J. Sirluck, dean of the graduate school at the University of Toronto, McLuhan oversees a series of anthologies of criticism being published jointly by the Toronto and Chicago University Presses. Obviously, despite the problem statement in research thesis, bait from the worlds of media and advertising, McLuhan is keeping at least one foot planted in academia. Only this past December, he addressed the persuasive essays recycling, annual meeting of the Modern Language Association on the confrontation of of development definition essay differing sensory modes in 19th-century poetry. When Media appeared, several reviewers noted that McLuhan must have a book on James Joyce in him. That task he passed on writing persuasive essays to his son Eric, who is writing a prodigious critical study of Finnegans Wake.
Among McLuhan's greatest desires is establishing the Center for Culture and Technology in its own building, with sufficient funds to statement in research support a reference library of the sensory experience of man. That is, he envisions methods of essays recycling measuring all the sensory modalities (systems of sensory organization) in all cultures, and of recording this knowledge on coded tapes in the Center. Assistant Professor of Design Allen Bernholtz, one of McLuhan's colleagues, foresees a machine that will, following taped instructions, artificially create a sensory environment exactly similar to that of methods of development any other culture; once the subject stepped into its capsule, the machine could be programed to simulate what and how, say, a Tahitian hears, feels, sees, smells and tastes. Persuasive Essays? It will literally put you in the other guy's shoes, Bernholtz concludes. So far, the Budget reform-, projected Center has not received anywhere near the persuasive essays, $5-million backing it needs to begin. Like all Schweitzer Professors, McLuhan may pick his associates and assistants. His entourage will include Professor Carpenter, with whom he coedited Explorations; Harley Parker and Father Culkin. In addition to teaching one course and directing a research project, McLuhan and his associates plan to conduct numerous dialogues and to publish a son of Explorations. Once you get a lot of essay talk going, he said recently, you have to start a magazine. Because he believes that I can better observe America from up here, he had rejected previous lucrative offers that involved forsaking Toronto, and as Schweitzer professorships are formally extended for writing persuasive essays recycling only one year (although they are renewable), McLuhan will officially take only Budget reform- Immigration in USA a sabbatical leave from St.
Michael's. McLuhan has always been essentially a professor living in an academic community, a father in close touch with his large family and a teacher who also writes and lectures. When some V.I.P.'s invited him to New York a year ago, he kept them waiting while he graded papers. Although he does not run away from all the reporters and visitors, he does little to attract publicity. Essays? His passion is the dialogue; if the visitor can participate in the conversation, he may be lucky enough, as this writer was, to studies coursework help McLuhan write (that is, dictate) a chapter of a book. Most people, McLuhan once remarked, are alive in writing essays an earlier time, but you must be alive in our own time. The artist, he added, is the man in any field, scientific or humanistic, who grasps the implications of his actions and i need help writing, of new knowledge in his own time. He is the man of integral awareness. Although his intention was otherwise, McLuhan was describing himself--the specialist in general knowledge.
Who would dare surmise what thoughts, what perceptions, what grand schemes he will offer next?
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Art and Morality: Essays in persuasive essays recycling, the Spirit of George Santayana. Morris Grossman, Art and Morality: Essays in the Spirit of George Santayana , Martin A. Coleman (ed.), Fordham University Press, 2014, 315pp., $26.00 (pbk), ISBN 9780823257232. Reviewed by Matthew Caleb Flamm, Rockford University. In a climate where print academic publications are increasingly financially unfeasible it is studies coursework, encouraging to see presses like Fordham University's backing a rich, eclectic collection like this one by Morris Grossman. Grossman died in 2012, and the book honors his scholarly career. As a brief preface by the editor Martin A. Coleman indicates, most of the essays are reprinted, revised versions of previously published journal and persuasive recycling, book articles. The earliest dated article chosen for inclusion is methods definition, 1968, a piece examining How Sartre Must be Read. Most of the persuasive essays, remaining selections are dated as having appeared in the seventies and eighties, a few in the nineties, one in 2005 and Budget in USA, two non-dated pieces (presumably written for the volume). Career-crowning collections can be forced or failing of their purpose, appearing to readers more as a motley assortment of pieces with little to no binding thematic connection. Thankfully this collection is not one of those. It is put together with care and what appears to writing essays recycling be an obviously engaged presence of the author throughout the process of preparing the problem thesis, various included pieces.
While the collection is unsuitable for introductory students of writing persuasive, aesthetics, art, and philosophy, upper level students in uw madison submission, those identified subject areas could definitely profit from its reading. For that matter the book is amenable to the intellectually curious beyond formal learning contexts. The wide range of subjects taken up is grounded in a substantive singular concern, aptly expressed in the title. As familiar readers know, Santayana concerned himself a great deal with the intersections of art and morality. Writing Essays! Following suit, Grossman articulates his version of this concern in the introduction, identifying his intent to examine the rival claims of art and morality. (15) The exact meaning of rival in wearing school uniforms, this characterization is important and makes a difference for how readers are to understand Grossman's various considerations. Regarding the advertised conflict between morality and art, Grossman offers that he is a contrarian (15) who favors maintaining tensions (57) between the two. Writing Persuasive Essays! As I note in this review, there are questionable moments in Grossman's contrarian approach to i need writing my paper this interesting thematic concern, moments thankfully redeemed by his continual artist's resolve (Grossman was a musician as well as philosopher) to essays recycling emulate the ultimate poet who cannot actually exist. (261) The book has twenty-four chapters, which are divided into three parts: I. Art and Morality (chapters 1-8); II. Budget Reform- Immigration! Artistic Philosophers and writing persuasive recycling, Philosophical Artists (chapters 9-16); and III.
Santayana (17-24). Submission! Each chapter includes an italicized pre-reading summary, which, depending on a reader's interpretive preferences and tendencies, is of possible aid to essays understanding. These preambles attempt to express in compressed form the main claims of the essay, a challenging task given Grossman's writing style, which is conversational and subverting of the analytical-polemics of mainstream philosophic scholarship. As the book progressed I found myself holding off reading the preambles until I had completed the chapter, using them as reinforcing checks, as it were, to understanding. Grossman's writing perspective is speculatively friendly, above the fray and problem thesis, sensitive to lines of critical dispute, preferring to multiply rather than to writing persuasive recycling resolve questions. He opens the first chapter with a barrage of questions about the relationship between art and life (there are ten question marks in the first six paragraphs of the chapter).
He then offers that: These are difficult questions, but once we know the agony of the quandary the methods of development essay, answers will come forth of themselves. Writing Recycling! (21) This summoner's method of answering questions attunes readers to the unorthodox, yet strangely alluring style Grossman prefers. He caresses and teases his readers with rich questions in hopes that they will let go of pros wearing school uniforms, certain argumentative habits and persuasive essays recycling, pretensions. This method is perhaps apropos of Grossman, aesthetician and musician that he was. A general virtue of Grossman's various writings -- and this appears to have been consistent throughout his publishing career -- is that he avoids esoteric jargon and other obscurantist tendencies from which works in aesthetics and the philosophy of music can sometimes suffer. Sophisticated and thoughtful in his presentation, he makes his points with humble curiosity and openness, avoiding the cambridge, proverbial pretensions of artists talking about art. Though for writing recycling, the most part Grossman presents his themes with a general philosophic audience in mind, his analyses of the aesthetics of music in the third through fifth chapters come closest to distancing him from that audience. Portions of the chapters beg not only an interest in, but also ideally some literacy in, music theory, classical music, and in research thesis, especially Beethoven, Bach, and Mozart. I underscore that these chapters come close to alienating his general philosophic audience: they need not do so. Grossman is foremost an aesthetician, and even as he considers technical musical notions like modulation and key shift , tonality, and notation, the discussion remains philosophically interesting enough to invite mutual understanding from even the most tone deaf. Speaking of tempo in musical composition, Grossman writes in Performance and writing persuasive essays recycling, Obligation: There are recorded performances of pros cons wearing school, a Bach work, by Toscanini and Casals, in which the ratio of the recycling, respective pacing is two to one. (73) A reader without frame of reference for any of these characterizations can still connect with Grossman's general engaging philosophic question concerning whether contemporary performers of historical pieces have an obligation to fulfill the intentions of the original composer.
At the same time, there are moments in these chapters where one gets the sense that only those literate in notation, chord structures, and scales could get the full thrust of Budget, Grossman's provocative points. With that said, the entire first section of writing persuasive essays recycling, articles in Art and Morality is well rounded, and the pieces surrounding the aforementioned on pros cons school uniforms music are of interest to anyone concerned with aesthetics and art. Grossman's analyses range over the plastic and persuasive essays, performing arts. The section concludes with a unique, aptly placed examination of human rights wherein Grossman draws an analogy between critical practices that establish aesthetic values and those establishing rights, which are the emergents, though tentatively envisioned and proclaimed in advance, of processes of critical caring. (111). Part II is the most random of the three, but its thematic presentation is cambridge studies, accurately construed. Among Artistic Philosophers and writing essays recycling, Philosophical Artists examined is C. S. Peirce, an unlikely artistic philosopher, but Grossman provocatively gleans a literary critical interpretation from a simile of his in the widely anthologized The Fixation of Belief. Then there is an interesting piece on Frederick J. In Research! Ruf, the previously referenced Sartre essay, a lengthy discussion of essays, Monroe Beardsley, and an interesting discussion of Gotthold Lessing. The Lessing essay had not appeared previously in print. Appearing next is an essay that merits separate critical mention both for its peculiar content, and for the light it sheds on an issue concerning the larger theme of uw madison thesis, Grossman's book.
It is a most odd inclusion, titled Lewis Carroll: Pedophile or Platonist? Among themes one might be tempted to consider in a chapter on philosophical artists, defending long dead iconic children's authors against unprovable accusations of pedophilia cannot rank at the top of the writing, list. If the title makes one squirm, I can confirm that the analysis itself flirts with absurdity. Apparently the celibate Carroll had a penchant for photographing little girls nude; even fetchingly naked (178). Grossman's characterization fetchingly naked clues readers into his own apparently aesthetic attitude towards the subject. For readers like me who were not at Immigration in USA, first aware of accusations of pedophilia made against the Alice's Adventures in Wonderland author, Grossman's essay only serves to raise attention to the issue in a manner that, well, at the very least unintentionally contributes to the possibly unnecessary sullying of an author's reputation, and at worst shows Carroll as possibly guilty of writing, crimes it is obliquely attempting to cambridge computer coursework pardon. This is not to suggest that the morality of Carroll's aesthetic preoccupations is a non-issue, nor that the relation between aesthetics and eroticism in which Grossman purports interest is somehow off limits. The problem is that those two are combined at great peril to the interpreter, and Grossman's analysis vividly displays how this is so. Revealingly, the legitimate concern that is at stake for those taking up the writing persuasive essays recycling, question of the morality of Carroll's photographic fancies -- Were young children harmed and submission, exploited by Carroll in his interests? -- is never even broached by Grossman.
Indeed Grossman uses the exercise as a way of shaming moralists about Carroll's photography for their narrowness (189), as if the persuasive, only reason they might look suspiciously at the author's meantime preoccupations is uw madison submission, that they lack a certain Platonizing impulse (185). Yuck. Writing Recycling! No. Pros Cons School! That is not the reason moralists worry about the writing persuasive essays, issue. Grossman leaves entirely out of consideration the legitimate concern of said moralists. They worry: Were young, vulnerable girls exploited sexually by Carroll, in whom they probably invested a great deal of overblown trust and faith? The fact that in the case of Carroll there is no hard evidence supporting a positive answer to the above question certainly exonerates him in a court of law, where the burden of evidence is to establish guilt. But speculative criticism is conducted in a very different sort of thesis, court, and the problem with Grossman's handling of the writing persuasive, case -- in addition to the fact that he handles it at all in a book restricted to questions of aesthetics and art -- is that after he rightly points to the lack of evidence against his subject, he proceeds to want to use that same lack of Immigration in USA, evidence to clear Carroll of any possibility of moral blame.
At one point he strangely uses the opinion of persuasive recycling, New Yorker reviewer Anthony Lane of John Ruskin's pedophilia in order, apparently, to shame Lane of being guilty of another kind of depravity of which apparently Carroll's accusers are also guilty. The reference is pros uniforms, ill executed, taken out of context, and self-serving to the extreme. Writing Persuasive Essays! Readers familiar with Lane's flourishing, teasing critical style immediately grasp Grossman's critical mis-use of cambridge computer, his reflections on Ruskin. Certainly the persuasive recycling, pervert hunters to which Grossman draws attention (178) that have in recent years been preoccupied with the offending articles of thesis, Carroll's photograph collection would be unmoved by his defenses of Platonic love. While it is true that those hunters use a lack of evidence unfairly against Carroll, Grossman himself comes off as too eager to persuasive speculate in methods essay, the other (equally unfair) direction of the writing, evidence and cast Carroll's photographic fetishes as preoccupations, not of the pervert but of (as a Ray Davies's song by the same title puts it mockingly) an art lover. If it is harsh to call this single unfortunate chapter Grossman's weak defense of perverts, the problem, harshness is persuasive essays, lifted by the fact that he invokes a philosopher who arguably offers the strongest philosophic defense of an aesthetic, Platonic relationship to cambridge computer material realities: George Santayana. The final section of the collection focuses solely on aspects of Santayana's thinking. The pieces offer not only a fairer, better sense of Grossman's quirky genius, but add original, substantive critical insights to what has become a steadily expanding body of Santayana scholarship. The section is far too involved to appropriately summarize here -- ranging across Santayana-related themes concerning drama, dialectic, ontology, spirituality, and interpretation. Suffice it to say that the final set of interpretations of Santayana's thinking help complete a circle of sorts regarding Grossman's central concern with the intersections of morality and art.
The final wonderful essay, Ultimate Santayana (a title-play on a famous essay by recycling Santayana on Spinoza), offers what is for me an easier means of appreciating the relationship between morality and aesthetics that Grossman seems throughout the volume to want to articulate (the relationship he unnecessarily distorts, in my mind, in the Carroll piece). Spirit in man can only foist a unity upon nature by modifying what it is, in thought but not in action, by dreaming. Pros Wearing Essay! (293) This beautiful articulation of Santayana's notion of spirit is a worthy crowning moment in the volume, encapsulating Grossman's original, artist's ability to lend meaning to Santayana's philosophic categories in a manner amenable to living, breathing creatures like us. In all it is wonderful to be able to survey and learn so much from a scholar whose career displays, on the whole, such unity and nobility of purpose. Grossman clearly enjoyed a flourishing career of speculative reflection, one undoubtedly amplified in myriad meaningful ways by his artistic life.
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an essay on milk Harvey Milk is somewhat of an idol of mine. Persuasive Essays Recycling? He fought for what he believed in, and wasn’t afraid to die when he spoke about i need help writing his beliefs. He was just a man, a man that wanted what everyone should want: the freedom to writing recycling be treated equally, and not discriminated against. My favorite part of this paper is all of the thesis quotes that were taken directly from Harvey Milk. He really must have been a great public speaker.
I only wonder what would have happened if he didn’t get killed so early on in his political career. What I liked most about essays recycling researching this topic was finding out methods of development definition all of the things that he directly influenced, but I disliked that his killer used ‘The Twinkie Defense’ to get him out of a just jail sentence. In general, I dislike research papers because of the need to cite sources. I read the same fact on several sources and have to pick one to cite. Writing Essays Recycling? In the current state of technology and how fast information can be transmitted, certain forms of found information should be considered common knowledge. As long as the research paper is on Budget in USA, a topic that I get to choose, I feel that it is writing persuasive essays, bearable to write and it is statement, just a learning experience. Writing Persuasive Essays Recycling? As a writer, I feel I have grown a lot in problem statement thesis, the past few years. The more that I write and enjoy writing, the more I tend to enjoy reading. Now that I have journeyed beyond required school reading, it is almost an enjoyable pastime for me. I love creative writing much more than bluntly trying to change someone’s mind through an opinion piece.
I love being able to delve into examples of characters and how they would act in a situation rather than try to explain to someone how it would happen to them. I also enjoy writing song lyrics for the same reason, to try to get a simple message across in abstract terms. When the message I wish to give to other people is clear and from my heart, then I have been and will always be a very clear communicator. image from http://gayfamilyvalues.blogspot.com. My name is writing essays recycling, Harvey Milk and help my paper I'm here to recruit you.” You gotta give them hope, was somewhat of a catchphrase for Harvey Milk. By becoming the first openly gay man elected to public office, he was well on his way to showing the world what gay people can accomplish. John Cloud (1999) noted that when Milk was elected, psychologists still agreed that homosexuality was a mental disorder (p.1). Milk was the single most influential man to writing persuasive recycling the gay community in cambridge computer, history. Persuasive Essays Recycling? He overcame many obstacles on his rise to office, he jump started the gay rights movement, and his death sparked others to move in his footsteps. Milk’s life before politics and what he surmounted makes his story that much more unbelievable. Harvey Bernard Milk was born on May 22, 1930 on statement thesis, Long Island.
While growing up, he was the class clown as well as a football player. In his high school yearbook it simply states, ‘Glimpy Milk - and they say WOMEN are never at a loss for words.” He graduated New York State College for Teachers in Albany, now known as SUNY Albany, with a mathematics degree. He wrote for the college newspaper and earned a reputation as a talkative and amiable student. Although he turned out to be an influential leader, his young life did not involve any politics or gay activism. In fact, he was not even out of the closet until he was almost 40 years old. Out of college Milk tried several different careers. He was discharged from the writing persuasive recycling Navy, became a teacher, and followed several other career paths. Lastly, he became an insurance actuary, a job in wearing school essay, which he was quite successful, but it was noted that his heart was not in his work. In 1972, he moved from essays New York City to school uniforms essay San Francisco along with many other moving gay men, who were settling into the Castro District. This is where his political career began.
Working out of his own camera shop on Castro Street, San Francisco’s notable gay district, he became well known. Inspired by the Watergate Scandal, Milk decided to essays create change through politics. In Research Thesis? Using the gay community as his voting base, Milk wanted to ally himself with the other minorities in the city. In his first attempt for a seat on essays recycling, the Board of cambridge Supervisors, San Francisco's city council, he came in tenth place out of thirty-two candidates. Although he lost, his new found popularity gave him the name of ‘The Mayor of Castro Street,’ and put him on persuasive essays, the political map. I Need My Paper? After three unsuccessful campaigns for a seat as city supervisor, some of writing recycling Milk’s associates became discouraged. But when Milk finally took the seat in thesis, 1977, he could finally work to writing persuasive recycling accomplish the change of which he had been dreaming. He was not a one-issue politician as some people would expect of the uw madison first openly gay public official. Milk wanted to benefit all of humanity in persuasive essays, every way that he could. During his short career in thesis submission, politics, he fought for a variety of social changes such as education, public transportation, child care, and low-income housing.
During the short time while Milk was in office, he passed an persuasive recycling anti discrimination bill towards homosexuals. It was important for Milk that he be seen as an individual, not just a gay politician. Thesis? After sponsoring a bill that required owners to clean up after their pets on the sidewalks, Ramon Johnson (2011) stated that Milk said, All over the country, they're reading about me, and the story doesn't center on writing persuasive recycling, me being gay. It's just about a gay person who is doing his job. Of Development Definition? ASSASSINATION AND IMPACT ON TODAY. Upon receiving many death threats while in writing, office, Milk said, If a bullet should enter my brain, let that bullet destroy every closet door. On Nov.
27, 1978, that’s exactly what happened. Dan White, a recently resigned seat holder, came back to try to get his job back. When the mayor refused, he came back with a gun. He assassinated Milk as well as Mayor Moscone and then admitted to it. His lawyers said that junk food amplified his depression, and in USA he received only 5 years in jail plus parole. This ridiculous defense, dubbed ‘The Twinkie Defense’ was later banned.
Harvey Milk was a man who inspired many others. He inspired Oliver Sipple , the persuasive essays recycling man that saved late President Gerald Ford from methods definition essay a second assassination attempt . Milk's death made him a martyr. His supervisor seat was given to Harry Britt, another openly-gay man. Only a year after Milk's death, Washington D.C. was full of about 100,000 people for persuasive recycling, gay rights chanting, Harvey Milk Lives. Cambridge Computer Studies? He was also the inspiration for Cleve Jones' AIDS quilt and his courage was the jump start of the modern day gay rights movement. Today, many gay social institutions are named after Harvey Milk, including The Harvey Milk School in essays, New York City. What impact would Milk have on a straight male in the world today? My roommate Steve, who surprisingly has heard of Milk, said that he believes that it is cons wearing uniforms essay, ridiculous that gay people even need to persuasive fight for the right to get married. It’s even more unbelievable because people who get married solely for the purpose of the reform- Immigration benefits don’t even get questioned, provided that they are straight. He later went on recycling, to say, “I am pro gay divorce.” Castro Camera, located at 575 Castro Street, has since become a place of remembrance of pros wearing Milk and what he accomplished. Just last year on what would have been his 80th birthday, a plaque was placed in the sidewalk in front of the old shop.
It features Milk’s profile with the words as written by Lila LaHood (2010): Forceful advocate for the rights of all. Persuasive Essays? ‘Burst down those closet doors. once and for all. and cons school uniforms stand up and start to fight.’ Cloud, John. The Pioneer HARVEY MILK - TIME. Time Magazine US . 14 June 1999. Web.
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?Example of the Narrative Essay Why I learned English Many families reflect diverse cultural backgrounds that come together. My family’s . Budget Reform-? roots are intertwined with several ethnic and cultural backgrounds. My mother’s parents are American, but her ancestors are originally from England and Germany. Essays? My father’s mother is Peruvian, but his father is Egyptian. Cambridge Studies Coursework? I grew up in Peru with my parents in a quiet neighborhood of Lima.
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Your objective as a writer is to clarify an wearing school essay, abstract term/concept by examining the concept’s history and its current usage. Often definitional essays are attached to a larger argument; for example, you might be arguing that if America uses torture to maintain. Conscription in the United States , Definition , Extensional definition 816 Words | 3 Pages.
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le dissertation La dissertation obit des types de plans qu'on peut ramener quatre : Si le plan dialectique canonique est un plan en trois parties, les jurys préfèrent deux parties solidement charpentées à des troisièmes parties répétitives ou privées de justification. Writing? On aura intérêt pour cela à réfléchir à ce qu'est une véritable synthèse ou à envisager parfois un plan concessif , aux ambitions plus rduites, mais qui présente l'avantage, en deux parties, de développer un raisonnement cohérent. Attention, ce plan doit nanmoins inclure une pese critique des termes et des notions convoqus par la citation-sujet, l'intrieur des parties du dveloppement. Voici plusieurs sujets de dissertations. Quel type de plan choisiriez-vous pour les traiter ? (Remplissez les cases vides du tableau ci-dessous avec les numros des sujets qui vous semblent pertinents.) Que reprsentent pour vous les hros ? Vous vous demanderez ce que signifie ce besoin d'admirer des tres rels ou de fiction, de les aimer ou de les imiter, et vous appuierez votre rflexion sur des exemples pris dans vos lectures et dans votre exprience personnelle. Qu'est-ce qu'une #156;uvre engage?
« Nous n'avons pas besoin de connatre l'auteur pour comprendre et aimer son #156;uvre. In Research Thesis? On peut lgitimement se passer de tout recours ce que l'on sait de l'auteur en dehors de son #156;uvre pour examiner celle-ci. Essays? » (F. Uw Madison? Van Rossum-Guyon, Critique du roman ). Vous direz ce que vous pensez de ce jugement en vous appuyant sur des exemples prcis tirs de vos lectures. Un personnage mdiocre peut-il tre un hros de roman ? Que veut-on dire lorsque l'on parle du « style » d'un crivain ? « Il n'y a pas de vrai sens d'un texte. Persuasive Essays? Pas d'autorit de l'auteur. Reform- Immigration In USA? Quoi qu'il ait voulu dire, il a crit ce qu'il a crit.
Une fois publi, un texte est comme un appareil dont chacun peut se servir sa guise et selon ses moyens.» Comment comprenez-vous cette opinion de Paul Valry ? A La Rochefoucauld qui dclare : «Il est plus ncessaire d'tudier les hommes que les livres», George Sand semble rpliquer lorsque, dans son roman Mauprat , elle recommande comme moyen de formation «l'tude des lettres, qui n'est autre que l'tude des hommes.» Quelles rflexions vous suggrent ces prises de position ? Il vous est sans doute arriv de prfrer au «hros» vertueux d'un roman, d'un conte ou d'un film le personnage odieux (le méchant) dont il finit par triompher. Quelles sont, selon vous, les raisons qui expliquent l'attrait qu'exercent ces personnages odieux ? Dans une enqute sur le livre et la lecture en France, on writing persuasive essays recycling peut lire cette rflexion sur le roman : «Sujet permanent de discussions entre ceux qui professent que le roman doit exprimer ou reprsenter la vie et ceux qui, l'inverse, estiment qu'il doit l'inventer. Reform- Immigration In USA? » Dans un dveloppement compos, vous direz si les romans que vous connaissez vous paraissent reprsenter la vie ou l'inventer. Un diteur contemporain prsente ainsi une collection d'ouvrages littraires : « La modernit n'a rien voir avec la date de parution. Persuasive Recycling? Des textes crits il y a plusieurs sicles sont rsolument modernes. Pros Wearing School? Ils rpondent parfois mieux que des ?uvres plus rcentes nos proccupations et notre soif de beaut. Persuasive Essays Recycling? » Partagez-vous cette opinion ? Vous appuierez votre rponse sur des analyses tires de vos lectures. Un auteur contemporain crit : «Apporter un message aux hommes et vouloir diriger le cours du monde ou le sauver, c'est l'affaire des fondateurs de religions, des moralistes, des hommes politiques.
Une ?uvre d'art n'a rien voir avec les doctrines.» En vous rfrant des #156;uvres que vous connaissez, vous direz ce que vous pensez de cette conception de l'art et de l'artiste. Pour la phase essentielle de prparation, nous vous proposons quatre exemples d'une dmarche progressive sur les sujets marqus plus haut du signe : mise en place du sujet et recherche ordonne des principaux arguments et exemples pour le plan dialectique, puis pour les plans thmatique, analytique et comparatif (page suivante). Le plan dialectique demande d'examiner un jugement, d'en montrer les limites, voire de le rfuter, avant d'noncer une position personnelle. Un personnage mdiocre peut-il tre un hros de roman ? Les termes du sujet : prciser dans l'introduction le sens du mot mdiocre (latin medius , qui est au milieu.) Ainsi mdiocre dsigne ici ce qui est sans clat.
Le sujet prsuppose donc que le roman n'admet pas de hros « moyens », ce qui s'oppose la conception classique (« Des hros de roman fuyez les petitesses », conseille Boileau aux potes dans son Art Potique .) La position de la problmatique : elle pourra partir de l'une des constantes du romanesque qui repose souvent sur l'exceptionnel et se demander si la mdiocrit peut y avoir sa place. Le libell du sujet : La question pose sous cette forme rhtorique semble rpondre par la ngative. I Need My Paper? Implicitement, une thse s'exprime ici, qui nie que le roman puisse admettre des personnages mdiocres. Le domaine d'application : le genre romanesque. La recherche du plan : Il convient donc de suivre ici un plan dialectique o vous valuerez la thse implicitement propose (thse /antithse/ synthse). I - LE ROMAN A BESOIN DE HROS : de destins exceptionnels (Julien Sorel dans Le Rouge et le Noir de Stendhal) de personnalits hors du commun (Mme de Merteuil dans Les Liaisons dangereuses de Laclos) de passions absolues (Des Grieux dans Manon Lescaut de Prvost) le rythme romanesque et la ncessit de susciter l'intrt obligent rendre exemplaire le destin de personnages pourtant mdiocres (Gervaise dans L'Assommoir de Zola).
II - POURTANT CERTAINS PERSONNAGES SONT DES MDIOCRES : c'est le cas des personnages des romans ralistes qui ont choisi une peinture objective des milieux et des tres : Georges Duroy dans Bel-Ami , Jeanne dans Une vie de Maupassant, les hros de Zola, pour qui « le premier homme qui passe est un hros suffisant » ( Deux dfinitions du roman ). Essays? le personnage peut tre destin illustrer la contingence, l'absurde (Meursault dans L'tranger de Camus, Roquentin dans La Nause de Sartre, Bardamu dans Voyage au bout de la nuit de Cline). Definition? le Nouveau Roman a choisi d'abolir le hros et de confier la reprsentation d'un monde nigmatique des individualits transparentes (L'poque actuelle est plutt celle du numro matricule crit Robbe-Grillet). III - LE ROMAN N'ADMET LA MDIOCRIT QU'A CERTAINES CONDITIONS : si le personnage peut tre un mdiocre, il convient de faire la part de l'poque : cette esthtique n'est que celle du XX° sicle et certains thoriciens du nouveau roman l'ont abandonne (romans de Le Clzio). Essays? il ne faut pas ignorer le got lgitime du public pour des #156;uvres o la cration artistique lui vite de rencontrer des voisins de palier (Meursault lui-mme accde peu peu un destin exceptionnel). « Eh ! bon Dieu, nous ne voyons que trop autour de nous la triste et dsenchanteresse ralit : la tideur insupportable des demi-caractres, des bauches de vertus et de vices, des amours irrsolus, des haines mitiges, des amitis tremblotantes, des doctrines variables, des fidlits qui ont leur hausse et leur baisse, des opinions qui s'vaporent ; laissez-nous rver que parfois ont paru des hommes plus forts et plus grands, qui furent des bons ou des mchants plus rsolus ; cela fait du bien.» (Vigny, Rflexions sur la vrit dans l'art ). Studies Coursework? de toutes faons, le roman a pour privilge de rendre la mdiocrit unique et certains mdiocres de la littrature sont devenus de vritables mythes (Emma dans Madame Bovary de Flaubert). Un diteur contemporain prsente ainsi une collection d'ouvrages littraires : « La modernit n'a rien voir avec la date de parution. Persuasive Essays? Des textes crits il y a plusieurs sicles sont rsolument modernes.
Ils rpondent parfois mieux que des #156;uvres plus rcentes nos proccupations et notre soif de beaut.» Partagez-vous cette opinion ? Vous appuierez votre rponse sur des analyses tires de vos lectures. Les termes du sujet : le terme de modernit , sans poser de problme particulier, peut tre utilement rapproch de celui qu'utilisait Baudelaire : il n'est pas synonyme d' actualit , mais signale un accord, dans l'intemporel, avec le temps prsent, ce que confirme la dernire phrase : seront juges modernes les #156;uvres, mme anciennes, qui savent correspondre aux centres d'intrt de notre poque et nos tempraments. Studies? Une acception plus simple du mot moderne pouvait fournir quelques arguments opposer l'auteur. La position de la problmatique : en quoi consiste la modernit d'une ?uvre littraire ? Est-elle lie sa date de parution ou l'cho qu'elle est capable de susciter auprs de toutes les gnrations ? Le domaine d'application : la critique littraire, le got, le rle du lecteur dans la postrit de l'?uvre. La recherche du plan : le libell est ici sans ambigut. Essays? Il s'agit bel et bien d'observer un plan dialectique. I - DES TEXTES ANCIENS PEUVENT TRE RSOLUMENT MODERNES : ceux qui mettent en scne les sentiments ternels : l'amour, la mort, l'interrogation mtaphysique (voir la persistance des crivains classiques, des tragiques grecs); restent aussi modernes les #156;uvres qui se signalent par la beaut de leur forme (l'alexandrin de Racine, la phrase de Bossuet n'ont pas vieilli). II - MAIS BEAUCOUP D'#140;UVRES SONT MARQUES PAR LEUR TEMPS : les proccupations des auteurs anciens sont-elles encore les ntres ? Bien des allusions socioculturelles accusent le vieillissement des #156;uvres (voir par exemple les textes engags de Sartre); au contraire, des #156;uvres rcentes sont sur ce plan plus proches de nous; les critres de beaut, eux aussi, peuvent varier : la tragdie nous parat aujourd'hui un genre plutt ennuyeux et nous lui prfrons le drame, comme nous prfrons les formes libres en posie. III - LES #140;UVRES RESTENT MODERNES PAR LEUR PART D'INTEMPORALIT : les chefs-d'#156;uvre savent encore nous parler et nous mouvoir par leur universalit.
Ils ont su parler de l'Homme dans une forme pure et simple que l'art classique a codifie : sans souci des modes, il s'agit de formuler avec justesse ce que chacun aurait pu dire; au contraire, les #156;uvres qui cdent aujourd'hui aux gots du temps sont condamnes vieillir vite. Thesis? Est ainsi moderne l'artiste qui a su rejoindre l'intemporel par le recul esthtique qu'il a manifest par rapport son poque (Stendhal). Il est frquent dans le plan dialectique de commencer la confrontation des thses par l’examen de celle qui est propose par le sujet (souvent l’opinion d’un auteur enferme dans une citation). Recycling? Mais cela n’est nullement obligatoire. Cambridge Computer Studies? Il convient plutt de construire la premire partie du devoir autour de l'opinion la plus simple et la plus rpandue (ce qu'on appelle la doxa ), ce qui n’est pas toujours le cas, loin s’en faut, des opinions que l’on soumet votre rflexion ! Ainsi la dissertation ira vraiment du plus simple au plus complexe en examinant d’abord les reprsentations plus ou moins convenues qui ont amen l’auteur s’en dmarquer. > Par exemple, dans le sujet suivant : « La lecture que l'on fait soi-mme d'une ?uvre est prfrable l'audition de la mme ?uvre enregistre.» Partagez-vous cette opinion ? on aura intrt observer la progression suivante : Thse : la connaissance d'une ?uvre littraire est meilleure par la lecture personnelle (thse implicite dans le sujet; c'est aussi la doxa).
Antithse : une ?uvre bien lue ou mise en scne pallie les carences ventuelles d'une lecture personnelle. > Mais dans ce sujet : « La laideur est une source d'inspiration pour le pote, au mme titre que la beaut. Persuasive Essays? » Dans quelle mesure peut-on souscrire ce jugement ? on commencera plutt par la thse la plus souvent admise, qui n'est pas celle que prsente le sujet : Thse : le pote est m avant tout par la recherche du Beau. Antithse : la posie est aussi voue la peinture de ralits repoussantes, capables de soulever le lecteur. Ainsi, dans le traitement des sujets suivants, quelle thse examineriez-vous d’abord ? A propos de l'criture de sa vie, Jean-Claude Carrire crit: « On peut dire [. Thesis? ] que la description d'une vie n'a d'intrt que si cette vie est commune, que si d'autres peuvent s'y reconnatre ou deviner, selon les gnrations, ce que furent les sentiments, les sensations de leurs parents et grands-parents ». Dans quelle mesure cette affirmation dfinit-elle l'intrt des ?uvres biographiques et autobiographiques ? Vous tayerez votre rflexion par des exemples puiss dans le corpus, dans les textes tudis en classe et dans vos lectures personnelles.
« La posie [. Persuasive Recycling? ] n'a pas d'autre but qu' Elle-mme », crit Baudelaire. Statement? En prenant appui sur les textes du corpus, sur les pomes que vous avez lus et tudis et sur votre culture personnelle, vous vous interrogerez sur cette dclaration et vous vous demanderez si elle correspond votre dfinition de la posie. Dans le Dictionnaire goste de la littrature franaise , Charles Dantzig affirme : « La posie ne se trouve pas que dans les vers ». Writing? Vous direz si vous partagez son point de vue dans un dveloppement argument, en vous appuyant sur les textes du corpus, sur ceux que vous avez tudis en classe ou lus personnellement. Le texte littraire doit-il tre srieux pour dnoncer une injustice ou dfendre une cause ? Eh bien moi, je suis amoureux de ces divisions et de ces rassemblements, qui me rendent capable de parler et de penser. Budget Reform- In USA? Et si je pense que quelque autre est apte, par sa nature, à porter son regard en direction d'une unité qui soit l'unité naturelle d'une multiplicité, je m'en vais à sa poursuite, derrière lui, suivant sa trace comme celle d'un dieu.
Et remarque bien que ceux qui en sont capables, je les appelle jusqu'à présent (à juste titre ou non, seul un dieu le sait) dialecticiens. Essays? (Socrate dans Phdre de Platon). > cas n° 1 ( ex : « La lecture que l'on fait soi-mme d'une ?uvre est prfrable l'audition de la mme ?uvre enregistre.») le conflit n'est qu'apparent; les deux thses sont complmentaires . Thse : la connaissance d'une ?uvre littraire est meilleure par la lecture personnelle (thse implicite dans le sujet; c'est aussi la doxa). Antithse : une ?uvre bien lue ou mise en scne pallie les carences ventuelles d'une lecture personnelle. Synthse : il n'y a pas d'incompatibilit entre les deux dmarches, mais plutt complmentarit, l'audition de l'?uvre amenant ensuite une lecture plus profitable. > cas n° 2 ( ex : « La laideur est une source d'inspiration pour le pote, au mme titre que la beaut. Methods Essay? ») . Persuasive? dpassement : (le cas le plus frquent) quelles conditions dsormais peut-on admettre une des deux thses confrontes ? Thse : le pote est m avant tout par la recherche du Beau. Antithse : la posie est aussi voue la peinture de ralits repoussantes, capables de soulever le lecteur.
Synthse : le pote veille un nouveau regard sur les choses et extrait la beaut des choses laides. En aucun cas la synthse n'est la conclusion du devoir. My Paper? Elle en est la dernire tape, la phase de rsolution. La conclusion, quant elle, fait le bilan de cette rsolution, formule nettement la position laquelle on writing persuasive essays recycling est arriv et propose une ouverture. © Tous les textes et documents disponibles sur ce site, sont protgs par une licence Creative Common.